In 2022, Look Up and Keep Up

A Challenging but Inspiring Year for #DIESE

2021 comes to an end, and it has been a year full of challenges and opportunities.

After a timid reopening of venues in spring, a more reassuring summer, and an almost euphoric autumn, the start of 2022 remains uncertain.

At IT4Culture, we will continue to work hand in hand with you. We are committed to providing the best solutions, whatever unexpected challenges arise.

Strengthened Features

In 2021, we enhanced our technical offerings: digital signatures, sales and room bookings, and collective artistic planning with the COB module (Chorus-Orchestra-Ballet).

We also launched:

  • An online booking feature so students can reserve rehearsal rooms from their phones.
  • A business intelligence solution with Tableau Online.
  • An online donation feature linking #DIESE forms to a payment system.
  • And we continue connecting multiple systems through our specialized interfaces.

New Cultural Partnerships

While supporting our long-standing clients, we also started working with new venues and organizations:

  • Schools and academies: Centre de Musique Baroque de Versailles, Académie Ravel, and École Nationale Supérieure des Arts et Techniques du Théâtre.
  • Museums and galleries: Palais de Tokyo and Monnaie de Paris in Paris.
  • Theatres: POCHE/GVE in Geneva, MC93, Théâtre Nanterre-Amandiers, Théâtre de Sartrouville, La Criée (Marseille), Théâtre des Célestins (Lyon), and the City of Carquefou.
  • Touring companies: Orchestra Victoria in Melbourne and Rosas dance company in Brussels.
  • International: New York City Center, with a fully remote implementation.
  • Operas: Norwegian Opera & Ballet in Oslo, Saarländisches Staatstheater in Saarbrücken, and Angers Nantes Opéra.

Wishes and 2022 Outlook

The team wishes you a very happy, healthy, and inspiring New Year.

Exciting projects will start early in 2022. Stay tuned!


Photos: official websites of New York City Center, Centre de Musique Baroque de Versailles, Norwegian Opera & Ballet, and Théâtre Nanterre-Amandiers